By this I mean that we no longer have a closed system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, which is real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well set up for Origami.
Avion en papier
Origami Instructions Free Online Diagram also shows the results graphically of moving away from the 'purest' form of Origami in all the eight directions. In some cases I possess marked the art as 'open-ended', for example paper-cuts.
Uchiyama is reported as getting a Origami Box With Lid patent in 1908 for 'KOKO'. style origami which appears to be the same in concept. Japanese books are filled with slitting to achieve ear or a tail or even legs. Perhaps one of the most recognized examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to provide enough points for the thighs. Rohm folded his Circus pony without cuts but the technique is then a lot more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the complexities of Avion En Papier Planeur a model achieved only by folding.
Kent du Pre has done such focus on Symmetric figures such as stars from which flowers can be folded. Irregular figures have made an appearance occasionally, but the most extreme form occurs in Paper Magic with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course strongly related to paper slicing. In its simplest form cuts are made earlier to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive density. The most recent talk about of the techniques is by Toshie Takahama who refers to it Origami Star Easy as Kirikomi and distinguishes it as typical of very early Japanese Origami.
Within a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling That is now usual in animal folds to call for a final modeling particularly if foil has already been used and one can make certain of the materials remaining in place. A modern day example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to THREE DIMENSIONAL insists on any modelling following the folding The technique of wetting the paper appears to be Japanese in origin Mon Bateau De Papier Chanson Paroles was demonstrated by Yoshizawa at a Convention in Birmingham. Another method of wet moulding using paste in the preparation is mentioned by Alice Gray the girl was shown it by Yoshizawa during a visit to Japan. The retracts tend to be smooth and are approaching figurine rather than Origami.
Fleur en papier
The cutting out of holes and so on. to indicate eyes etc is sometimes found in Japanese books and we are obviously dealing with a technique which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft
Bateau en papier
Typically the associated arts Bateau De Papier Musique are Weaving and Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. Typically the sheets of paper are folded together but usually opened at the finish to show the multi-layers usually with different colors. In flower folding and possible doll-making the multi-layer technique is exploited for its own sake with little or no folding included. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of paper each folded to represent some part of the animal and
then brought collectively. The concept may well be traditional; if not in how Honda uses it - see for example the Pagoda in Paper Miracle. Recently kits have made an appearance for folding a monster from a amount of squares of different sizes.
Comment faire un avion en papier
In the most extreme mixtures of water and paper we are, of course , in the world of fun which is plainly an open-ended art. DecoratingThe easiest step from a single colour is one side female and one white or plain. A great offer of modern Origami uses this colour difference. The delightful example is Mary Homewood's Robin. Origami Paper We can use the texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which depend after choosing the right pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design ideal for a unique model. The end of this process is evidently the decoration of the last model and therefore into the decorative art proper which is open-ended. Lengthening By stretching our square we obtain rectangles then ribbon and finally string.